The fourth season of Charlie Brooker ’s Black Mirror, a Twilight Zone-esque anthology TV series approximately technological anxieties and possible futures, was once released on Netflix on December 29th, 2017. on this collection, six writers will take a look at each and every of the fourth season ’s six episodes to look what they’ve to say about current tradition and projected fears.
Previous essays in this collection deal with “USS Callister,” “Black Museum,” and “Cling The DJ.”
Spoiler caution: This essay doesn’t supply away the finishing of “Metalhead,” but it does quilt a significant share of its minimal plot.
Charlie Brooker ’s anthology collection Black Mirror is widely known for its wit, its taste, and in some uncommon circumstances — as in final season ’s “San Junipero” — its extremely earnest emotional sensibilities. However mostly, the show is known for reminding us that the era we surround ourselves with every day could be best us toward a dystopian hellscape the place our very humanity could also be misplaced. That isn ’t an especially cheery message, and with a few episodes, now not a particularly attainable one. The show doesn ’t actually supply solutions to the problems it shows, but normally, it does serve up thought experiments and cautionary stories: “Mirror upon your present behaviors,” Brooker turns out to be pronouncing, “so all of us don ’t finally end up like those sad saps.”
and then there ’s the season 4 episode “Metalhead.”
From a plot perspective, “Metalhead” could be pitched as Black Replicate ’s tackle The Terminator, distilled all the way down to its most simple shape. A roving robot is looking a woman named Bella (Maxine Peake), and it will not stop till it has caught her. However this isn ’t a standard robotic; it ’s a Boston Dynamics-style robotic canine, with the smooth layout of a top-finish gadget and a constant number of gear and ways at its disposal. as the episode whips by means of in a chain of visceral motion vignettes, there isn ’t any better takeaway or phrase of warning to be gleaned. It ’s just a demanding reminder that the long run is coming, and it will now not forestall. Ever. Until we are useless.
Like such a lot episodes of Black Reflect, “Metalhead” drops into a non-designated long term without a lot ceremony or clarification. There ’s a trio, led through Bella, riding in a car on their method to an unspecified destination. They lament how pigs have disappeared from the landscape, taken care of by way of the “canines.” a short lived line of dialogue shows this long term society is certainly one of excessive inequality, and the episode is shot totally in grainy black and white. Taken in combination, the weather seize the feel of a bleak global of have and have-nots.
Their goal, it seems, is to break into a warehouse to steal something for a demise family member of Bella ’s. But when they enter the power, the robotic dog seems, shoots monitoring projectiles into Bella ’s group, and starts killing them. It even takes keep an eye on of a vehicle to pressure Bella off the road, putting in a determined run around the Scottish moors as she tries to save lots of herself.
As a piece of motion filmmaking, the episode is ruthlessly environment friendly. Director David Slade (American Gods, Hannibal) hits the fuel early and not lets up, taking pictures Bella ’s desperate makes an attempt at escape with a vérité sensibility, whilst never blinking clear of the canine itself. There ’s no time to query whether or not the creature is a practical impact or pc-generated when watching “Metalhead.” Slade shoots the robot simply, as if it ’s completely grounded if truth be told, and whether or not it ’s chasing an escaping van (and catching it), or tracking Bella during the rocks alongside a river, the means paints the point of interest on the creature as an unstoppable, visceral threat, developing some of probably the most annoying, balk-inducing moments within the entire series. The episode is short — barely over 41 minutes, together with credits — but what it packs in can also be so unnerving that it ’s exhausting to see how the episode can have stretched any more without becoming untenable.
(In an EW interview, Brooker says his authentic script integrated a behind-the-scenes controller for the canine, which might have made this more of an episode approximately drone generation than self sustaining robots. Frankly, “Metalhead” is better off with the cuts he made, which make the dog extra alien and terrifying, in place of mainly a faraway-managed gun.)
Picture via Jonathan Top / Netflix
The visceral, chase-orientated tale calls to mind films like Steven Spielberg ’s 1971 debut Duel, during which Dennis Weaver was terrorized on the highway by means of an unseen pursuer in a semitruck. But Black Reflect follows its standard technological-danger theme, which adds a layer of subtext to the game of cat-and-robotic-dog. The robotic is replete with options viewers will recognize from their own smartphones and computer systems: sleep mode, GPS monitoring, and what seems to be a few type of over-the-air wi-fi charging. It ’s a shopper electronics tool designed to kill, weaponizing what we most often call to mind as ahead-pondering, disruptive options. It ’s familiar, yet terrifying, primal, but impossibly advanced. At a certain point, the by no means-ending assault of the dog starts to feel like the relentless, iterative march of era itself, one thing that may neither be stopped nor managed. people may try to outsmart or fool it, as Bella does throughout the episode, however the implication is that humanity has engineered the easiest weapon, and people unfortunate sufficient to finally end up on the wrong end of it are doomed.
That remaining thought is driven home within the episode ’s final stretch. In Spite Of the industrial inequality inferred within the starting, Bella runs across a luxurious, smartly-supplied compound that comes with obviously wealthy residents who’ve met their own premature loss of life. It makes the full risk of the panorama in “Metalhead” even more insidious. No Longer even wealth and privilege are sufficient to win out in the face of no matter what this sinister global holds, and kids aren ’t saved from its atrocities, either. there is simplest the relentless push of generation.
Whilst so much of the backstory remains imprecise in “Metalhead,” it ’s easy to assume Brooker having an organization like Amazon in mind while portraying the episode ’s mysterious warehouse full of goods. Bundle-handing over drones aren ’t so much of a bounce from patrolling robotic dogs, after all, and a warehouse where humans are not any longer wanted way to robot advances can be a tidy explanation for the commercial damage that looks to have the characters in “Metalhead.” but the episode isn ’t that literal, and its implied scope is far higher. A Few Black Mirror episodes within the previous have critiqued social media tradition, or the risks of augmented truth, but by way of holding this episode ’s story so streamlined, Brooker is able to spin “Metalhead” into one thing a lot better. The episode ’s final shot is a gut punch that implies Brooker wasn ’t talking approximately robots or transport, however the loss of human innocence — all in the identify of “growth.”
Depending On your element of view, Black Replicate is both at its absolute best or its worst while it is truly hopeless, laying bare its cynical views on generation and humanity. “Metalhead” is an episode firmly designed for the first camp. Beyond the thrills of the chase itself, there is no wish for a cheerful finishing in “Metalhead.” there’s only the final finishing.
Relevance: This episode doesn ’t clutch grasp of a specific cultural second or technological trend as a lot as different episodes do. this is in regards to the massive image. We recognize it as attached to slicing-area robotics paintings being done as of late, and by way of suggesting that robotics work will in the end be weaponized to serve an elite owner magnificence by killing off any have-nots who dare placed a toe out of line, Black Mirror creates a bigger remark on technology itself. however the episode doesn ’t scream out relevance the way an close to-long term episode approximately social media oversaturation could.
Aesthetics: The black-and-white pictures is a fresh change of pace, and it ’s worth marveling over the seamless integration of the robotic dog into the herbal landscape. For a display that more than likely is predicated too heavily on clear displays in each route, and the Gattaca-esque mindset of “Allow ’s shoot in real, pseudo-futuristic buildings and make contact with it an afternoon,” the primal, virtually analog glance and really feel of “Metalhead” is a standout around the complete season.
Squirm Issue: What ’s the maximum ranking we can supply to one thing like this? 10? ELEVEN? Whatever the maximum is, take that, and double it. My wife and that i have been actually squirming on the sofa at the same time as gazing this episode, or even fascinated with sure sequences now, my ft get started curling up. “Metalhead” is so nerve-racking, it ’s almost no longer any amusing in any respect. However then again, that kind of dichotomy is what makes Black Reflect so enchanting in the first position.